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1.
I’d like to have a steak, medium rare 
And some beef au jus, spread everywhere You should try the fish, its flown in from the coast 
If you don’t like seafood, I’d suggest the roast And for drinks we’d like some beer From your craft supplies Just bring us a pint or two Until one of us dies 
You should just relax, they wore you to a nub We’ll hold the party line, we’re all in the club Have you read the news, it really is a drag
 Don’t worry about the votes, the election’s in the bag And for drinks let’s have some booze 
It helps with the lies
 Have them bring us a tumbler or two Until one of us dies. You know there’s always money to be made Cause someone’s always looking to get paid 
Everything is set. Have you read the rider? Cause you’re in the home of the lizard and the spider Who really cares? We’ll keep it on the line They say you don’t look well. I’d say you’re looking fine And for drinks we’d like some booze
 Don’t like the look in your eyes
 Just bring us a bottle or two Until one of us dies.
2.
Well this is just about a deal gone wrong
 You can sit and wait cause it won’t be long It seems old friend that you’ve gone soft Stick out your neck they’ll cut your head off Tongue tied and all lost Twisted and Broke 
Never liked your magic but I loved your

 Jokes You sell some secrets but you’re all alone There’s a creepy feeling when you’re not at home The sun is rising and the birds sing out If I listen close I can hear you bleed out
 Tongue tied and all lost Twisted and Broke
 Never liked your magic but I loved your joke 
But don’t you tell me that you love me though 
There things about you that you shouldn’t show
 I told you once I’ll tell you again This is how things come to an end

 Summer morning window unit hums
 Bathroom sink is pink from his bleeding gums Reality’s perfect if you don’t care for dreams Everything is always as it seems Tongue tied and all lost Twisted and Broke
 Never liked your magic but I loved your joke 
But don’t you tell me that you love me though 
There things about you that you shouldn’t show
 I told you once I’ll tell you again This is how things come to an end

 But don’t you tell me that you love me though 
There things about you that you shouldn’t show
 I'm not your savior you were my disease And now I see you crawling on your knees
3.
The day he learned violence is the day he’d like to give back 
He seemed to prefer it when his mind was under attack He says to me, “welcome come in and pull up a chair. Despite all assumptions I don’t get paid to fight fair” 
In the cathedrals the apostles and the saints look on the congregation and their restraints A capacity for violence. House of broken glass
 It seemed so silly like it wouldn’t last She said “sit down I want to tell you a little story 
But there are few heroes and absolutely no glory The way you treat me leaves me no room for growth Love me or destroy me, or better yet just do both.”
 
If you can withstand just a little pain a little charge across your membrane A capacity for violence. House of broken glass
 It seems silly they didn’t think it would last Get up now, get up off the floor
 The longer you lie there they think you want more Rise up now, on your feet
 the more you lie there the longer you accept defeat 
The day he learned violence is the day he’d like to give back He’s gone to sleep now and there’s just no going back
4.
What are you doing in my city? What have you done to my town? You know another time in this place man you would be nothing but a clown Your wear your irony on your shirt sleeves yeah sincerely is doom You'd like to go out to the darkened bar but you are too cool for that room...too cool for that room You take over some slums and gentrify them and all of that But you're in America, asshole, it's an apartment not a flat You have a tweed jacket with leather patches that you wear to a pool And you burned you mouth badly on the pizza because you ate it before it was cool...yeah before it was cool You don't like digital man, scoring is your scene You say you don't like rivers because you consider them too mainstream Wearing clark kent glasses, ironic tees and skinny jeans You want to sleep with something called Zooey Daschenal I don't know what that means...I don't know what those words mean.
5.
Waterline 07:47
Now you’re getting drunk on your Savior’s Blood While just last week I saw you all caked in mud I was standing beside your diplomat
 And the only difference between this and that
 Is just the joke whose punchline is never heard
 I’ll keep quiet I won’t said a word God forbid you ever take offense 
There is a reason I never made a difference

 Despite the warning signs I'm doing fine I keep my head above the waterline After all it was a waste of time 
I kept my head above the waterline
 I’m so glad to see you’re doing well
 Trust me sweetheart I don’t kiss and tell
 No, I keep that shit locked up in a vault
 You’ll never hear me say it was not my fault You always ran before learning how to crawl
 I know I told you I’d always take your call
 Now you see no one here who goes by that name
 But you can leave your number darling just the same

 Despite the warning signs I'm doing fine I keep my head above the waterline After all it was a waste of time 
I kept my head above the waterline
 Just so we can get this straight I never wavered it was just too late
 You can pretend if you want I lost my nerve
 But in the end we all get what we deserve
6.
Rinse 03:16
Have you seen my soul Haven't seen it since Sure its been a stint Its not poor just old Scraped of grim and mold Bought and sold for oil Now it needs a rinse Its the reek that sticks Spins your belly sick Nostrils flared and thick Seems I found a better show Lost in the glow One that smiles when we cry Programming has gone awry Tickets are too hard to hold History says we should fold Tales spun from a lie Cotton swings from a line
7.
Nothing matters too much to me right now Nothing really makes any sense Set adrift out on an open sea Trying to do my penance I just want everyone to pay from their sins I'd like to see justice And then maybe I'll learn my lesson Get back these things I've missed 
So, I think it's a little strange, standing with in range There's nothing left to do, I’m so lost in you Some things are easier to do by yourself Time is running out Its time I took stock of my mistakes You know what that’s all about There is a reason ideas are dangerous if they have no substance Maybe my obsessions were too intense A man only can die once So, I think it's a little strange, standing with in range There's nothing left to do, I’m so lost in you
8.
Oh my child, you’ve seen it all You’ve seen the trials and you’ve seen the fall From Babylon to the cities of steel Console yourself, its not so real
 For all the world you were the best Lay your head get you some rest
 You know that I love you this much is true I’d be so lost if not for you It doesn’t matter, for God’s sake Really what difference can it make? So dry your tears we’re all insane We’ve spent years here circling this drain For all the world you were the best Lay your head get you some rest
 You know that I love you its all true can you forgive what I’ve done to you? 
In your mothers arms the Nativity what was coming you had to see
 But you know I love you its all true Oh sweet baby what they’ll do to you Oh little baby what they’ll do to you Oh my baby what they’ll do to you Oh what they’re gonna do to you.
9.
You’re gonna miss me, when I gone You’re gonna miss me, I’m moving on
 You’re gonna miss me, here and there, You’re gonna miss me most everywhere You’re gonna miss me, You’re gonna miss You’re gonna miss me cause I’m moving on You’re gonna miss my blue eyes You’re gonna miss my big surprise
 You’re gonna miss me crooked smile You’re gonna miss me by a country mile You’re gonna miss me, You’re gonna miss You’re gonna miss me cause I’m moving on You’re gonna lose it when you see me with her You’ll feel queasy it’ll seem like a blur
 You feel sorry when she calls my name You’ll remember it all the same You’re gonna miss me, You’re gonna miss You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on You’re gonna miss me cause I’m moving on
10.
Spiderbite 08:18
Not everything is for sale. Not everything has a price You’d like to be friends. You’d like to make nice You want to negotiate. But you got nothing I want Yeah, you have nothing I need. Not a single thing You’d come over late. Yet have to nothing to bring You want to fill me with joy. But you got nothing I want Yeah but I’ll be there when the deal goes down Shut your mouth don’t make a sound Only one thing wrong tonight I’ve got a spider bite There’s no way to know, there’s no smoking gun Your billions of dollars bring you back to square one You want to make me happy but you got nothing I want Yeah but I’ll be there when the deal goes down Shut your mouth don’t make a sound Only one thing wrong tonight I’ve got a spider bite Your eyes tell the truth. A wink is as good a nod I’ve read it somewhere no one makes a fool of God You want to show me the world but you’ve got nothing I want Yeah but I’ll be there when the deal goes down Shut your mouth don’t make a sound Only one thing wrong tonight I’ve got a spider bite Once you’re gone you should just stay away

about

Catastrophe, the tenth album from The Disgruntled Sherpa Project, is a harder edged and more experimental work than their most recent album, Blessed Geography.

The second album recorded by the band since their 2014 reunification, Catastrophe consists of punchy rock songs, bass and rhythm funk songs and long sprawling epic guitar tunes.

The band returned to Red Planet recording studio in Clifton Heights, PA in the summer of 2016 and over the course of one day laid down 10 songs for their new album. Whereas previous releases offered country and folk flavored acoustic numbers Catastrophe contains no acoustic guitars and relies many on harder driving rhythms by bassist Walt Mamaluy and drummer John Vasudevan and rock guitars by Joe Boylan and Reginald DeJesus.

Matt Rhine who joined the band in 2014 brings, once again, brings an array of piano and keyboards as well as his trumpet playing which has become a fan favorite at live shows.

The songs touch on a wide variety of themes populated by varied characters: the political allegory of two campaign wogs dining at a fancy restaurant in "Tip the Maitre D'"; the mentally damaged characters reaching out for help of "A Capacity for Violence"; the locals fighting gentrification against "Out of Towners"; the "happy to be rid of her" cad shouting for joy in "You're Going to Miss Me."

"Queequeg's Coffin" throws in some Herman Melville references alongside gorgeous harmonies and dueling guitars. The album's centerpiece, the epic "Waterline," boasts lengthy guitar solos by Reginald DeJesus, arguably the greatest guitar solos in band's long history. The album's closer, the 8 minute plus "Spiderbite" has been described by one early listener as "the weirdest song I've heard in awhile."

There's even a trumpet driven pseudo Christmas song that songs more like a soccer pub fight song than "White Christmas."

credits

released December 2, 2016

Joe Boylan: rhythm and lead guitars in left speaker; slide guitar; harmonica; vocals
Walt Mamaluy: bass, percussion, backing vocals, lead vocals on "Rinse"
Reginald DeJesus: lead and rhythm guitars mainly in right speaker; backing vocals
John Vasudevan: drums; percussion; congas; shakers
Matt Jules Rhine: keyboards, piano, trumpet, backing vocals

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The Disgruntled Sherpa Project Philadelphia, Pennsylvania

Prolific and legendary Philadelphia indie band formed on South St in 2002. Known for an eclectic mix of music featured on 10 released full length albums.

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